Write India: Penance

The fourth author as part of the Write India campaign is Ravi Subramanian. His competition was set in the modern society, and explored extramarital affairs. Read on for the short story I wrote for the same. Do leave feedback in the comments.

Tale Share: Purely Fictional by Arundhati

Have you ever tried to bring a world from your imagination into the real world? Or tried to capture the world around you in a canvas of words, in a manner so perfect that even blind could see? It has been my lifelong dream to be able to do that. Arundhati Bhardwaj, a friend of mine by happen-stance and a film-maker-in-making by trade (yes, I wrote it that way deliberately, shush), managed to do just the same with her small anecdotal fiction pieces. I am impressed, and it's time for you to be the same. Read on.

H.G. Wells: The Country of the Blind

Imagine a world, a world where everyone was blind. Imagine they had been blind for generations, and had completely lost the concept of sight from their collective memories. Imagine you got there, and were stuck with them. How would you fit into their culture? In a world of the blind, wouldn't the one eyed be king? Here's how HG Wells predicts such a situation will go. My analysis, read below.

Mary Shelley: Final Thesis

To read the book, click here.

I have found a lot of interpretations for this book that say that this book is a warning against pursuing science with too much ambition, leaving behind religious morality and restriction. This theory fits in very well with the time when the book was written. But we also know that Mary Shelley was an atheist. My reading gave me a different, in fact opposite look at the book. To see why I see Frankenstein as an atheist reading - one that separates morality from religion, read below.

Mary Shelley: Introduction

To get a basic understanding of what this section is all about, please read below.

Tale Share: The Dead are Real

The one question that bothers me a lot is about how real or fictitious historical fiction is. I mean, think about it, if one wanted to talk about historical figures, tell their tales, then why not write biographies? Obviously historical fiction is different, allows the author some agency into the lives of historic entities. But then, what right does one have to change the way someone lived, or died? Perhaps the best way to understand historical fiction is to think of it as set within the realms of history, aligned to the reality of the time, and yet allowing agency to the author to take their characters through the story they have chosen to tell.

A famous personality who has made historical fiction her life, is Hillary Mantel. In 2012, the New Yorker's Larissa MacFaquhar talked about Hillary and the agency of historical fiction. I have quoted a few snippets of this enlightening article below, but for the full article, click on this link.

Tale Share: Why Historians should Write Fiction

When a novel is set in the past, we often have to build a world to support the story that we tell. If we set it in our actual past, then we have to take elements of history and fit to the plot itself. This brings forth the field of historical fiction. But how do we define historical fiction anyway? The following is an essay by Ian Mortimer, a famous historian, who writes historical fiction under the pseudonym of James Forrester, and it tries to address the question from the point of view of the authors who write these stories. This article written at the IHR conference is an insightful look at how historians view the genre, and how we could possibly define it. The following are some snippets that I found really relevant to the conversation.